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SAT Section One : Critical Reading Sample Questions:

1. Throughout history great civilizations including the Egyptians, Romans, and Greeks can trace their
downfalls to a certain societal ______ and general failing of moral values.

A) latitude
B) hierarchy
C) decadence
D) bliss
E) indifference

2. This passage discusses the work of Abe Kobo, a Japanese novelist of the twentieth century.
Abe Kobo is one of the great writers of postwar Japan. His literature is richer, less predictable, and wider-
ranging than that of his famed contemporaries, Mishima Yukio and Nobel laureate Oe Kenzaburo. It is
infused with the passion and strangeness of his experiences in Manchuria, which was a Japanese colony
on mainland China before World War II.
Abe spent his childhood and much of his youth in Manchuria, and, as a result, the orbit of his work would
be far less controlled by the oppressive gravitational pull of the themes of furusato (hometown) and the
emperor than his contemporaries'.
Abe, like most of the sons of Japanese families living in Manchuria, did return to Japan for schooling. He
entered medical school in Tokyo in 1944--just in time to forge himself a medical certificate claiming ill
health; this allowed him to avoid fighting in the war that Japan was already losing and return to Manchuria.
When Japan lost the war, however, it also lost its Manchurian colony. The Japanese living there were
attacked by the Soviet Army and various guerrilla bands. They suddenly found themselves refugees,
desperate for food. Many unfit men were abandoned in the Manchurian desert. At this apocalyptic time,
Abe lost his father to cholera.
He returned to mainland Japan once more, where the young were turning to Marxism as a rejection of the
militarism of the war. After a brief, unsuccessful stint at medical school, he became part of a Marxist group
of avant-garde artists. His work at this time was passionate and outspoken on political matters, adopting
black humor as its mode of critique.
During this time, Abe worked in the genres of theater, music, and photography. Eventually, he
mimeographed fifty copies of his first "published" literary work, entitled Anonymous Poems, in 1947. It
was a politically charged set of poems dedicated to the memory of his father and friends who had died in
Manchuria. Shortly thereafter, he published his first novel, For a Signpost at the End of a Road, which
imagined another life for his best friend who had died in the Manchurian desert. Abe was also active in the
Communist Party, organizing literary groups for workingmen.
Unfortunately, most of this radical early work is unknown outside Japan and underappreciated even in
Japan. In early 1962, Abe was dismissed from the Japanese Liberalist Party. Four months later, he
published the work that would blind us to his earlier oeuvre, Woman in the Dunes. It was director
Teshigahara Hiroshi's film adaptation of Woman in the Dunes that brought Abe's work to the international
stage. The movie's fame has wrongly led readers to view the novel as Abe's masterpiece. It would be
more accurate to say that the novel simply marked a turning point in his career, when Abe turned away
from the experimental and heavily political work of his earlier career. Fortunately, he did not then turn to
furusato and the emperor after all, but rather began a somewhat more realistic exploration of his
continuing obsession with homelessness and alienation. Not completely a stranger to his earlier
commitment to Marxism, Abe turned his attention, beginning in the sixties, to the effects on the individual
of Japan's rapidly urbanizing, growth driven, increasingly corporate society.
The author uses the word "apocalyptic" to emphasize that

A) there was massive famine in Manchuria at the end of World War II.
B) Manchuria suffered intensely as a result of the use of nuclear weapons in World War II.
C) Abe was deeply affected by the loss of his father.
D) conditions in Manchuria after World War II were generally horrific.
E) postwar Manchuria experience dexhilarating change.

3. Were I indeed ______, I likely would not still be teaching, for I would have long ago played the winning
lottery numbers and be traveling the world sending postcards to the classroom.

A) fortuitous
B) clairvoyant
C) prescient
D) philanthropic
E) perspicacious

4. In compliance with the request of a friend of mine, who wrote me from the East, I called on good- natured,
garrulous old Simon Wheeler, and inquired after my friend's friend, Leonidas W. Smiley, as requested to
do, and I hereunto append the result. I have a lurking suspicion that Leonidas W. Smiley is a myth; that
my friend never knew such a personage; and that he only conjectured that, if I asked old Wheeler about
him, it would remind him of his infamous Jim Smiley, and he would go to work and bore me nearly to
death with some infernal reminiscence of him as long and tedious as it should be useless to me. If that
was the design, it certainly succeeded. I found Simon Wheeler dozing comfortably by the barroom stove
of the old, dilapidated tavern in the ancient mining camp of Angel's, and I noticed that he was fat and
bald-headed, and had an expression of winning gentleness and simplicity upon his tranquil countenance.
He roused up and gave me good- day. I told him a friend of mine had commissioned me to make some
inquiries about a cherished companion of his boyhood named Leonidas W.
Smiley--Rev. Leonidas W. Smiley--a young minister of the Gospel, who he had heard was at one time a
resident of Angel's Camp. I added that, if Mr. Wheeler could tell me anything about this Rev. Leonidas W.
Smiley, I would feel under many obligations to him.
In context, the word "garrulous" in1st paragraph most nearly means

A) flamboyant.
B) talkative.
C) rotund.
D) friendly.
E) rich.

5. The paparazzi received many sizeable offers for the pictures of Ferggie in the ______ act of topless
bathing in Capri.

A) hedonistic
B) degenerative
C) embarrassing
D) hypocritical
E) ignoble

Solutions: