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Admission Tests GRE General Test Sample Questions:

1.

A) Quantity A is greater.
B) The two quantities are equal.
C) The relationship cannot be determined from the information given.
D) Quantity B is greater.

2.

A) Quantity A is greater.
B) The two quantities are equal.
C) The relationship cannot be determined from the information given.
D) Quantity B is greater.

3. When applied !o written records, the word "preservation" is fraught with multiple meanings and connotations For some archivists, preservation involves the attempt to save artifacts from physical deterioration and is synonymous with the conservation of original documents. For archivists with a contrary view, the overriding obligation is to save intellectual content through the use of surrogates. Thus the original earners of information are seen as superfluous and consequently disposable The practice of microfilming old newspapers and discarding the originals is one example of such preservation. On yet another level, preservation considers whether limited storage space should be allotted indefinitely to materials that are rarely consulted or whether certain items are so peripheral to current interests that they should be discarded altogether to ensure a home for more-pertinent materials.
In the context in which it appears, "obligation most nearly means

A) prerequisite
B) liability
C) imposition
D) responsibility
E) compulsion

4. When Flemish painter Anthony Van Dyck moved to England in 1632 to become court painter to Charles The introduced an entirely new way of representing dress in portraiture. In women's portraits. he left off fashionable accessories, depicted subjects in unbuttoned sleeves and collars, and added lavish drapery and jewels. For the first time an artist actively participated in dressing his subjects, creating an amalgam of fantasy and reality. While Van Dyck was most innovative when representing women, he used similar elements in portraits of men.
Van Dyck's Portrait of Thomas Killigrew and Willian. Lord Crofts (1638) demonstrates how the artist relaxed and unbuttoned men's dress to accord with an underlying theme. The double portrait may be seen as an essay in grief: Killigrew. a poet and playwright, had lost his wife Cecelia to the plague shortly before the sitting, and Crofts was her nephew. The painting contains clear references to the situation at hand. The background features a broken column, a traditional emblem of earthly transience. A drawing in Killigrew's right hand depicts two Itinerary monuments. Crofts holds a blank sheet of paper, seen by some scholars as an analog to the drawing Killigrew holds: a symbol of what is gone.
At historians have interpreted the clothing depicted in this portrait, particularly Crofts' doublet which is worn unbuttoned in back, as an allusion to the subjects' grief-stricken distraction. It is true that Killigrew's dress includes references to his loss-he wears a cross inscribed with his wife's initials. There is an intimate nature to this painting, which seems underscored by the loose clothing worn by both subjects. However, diis reading of the costumes as signs of grief does not take account of seventeenth-century fashion conventions. Only Killigrew appears in noticeably disheveled attire; Crofts" dress would be quite appropriate for a formal portrait. Though black clothing, such as that won by Crofil, was common for mourning, it was also ordinary on other occasions. Furthermore, during the first stage of mounting no shiny surfaces, such as Crofts' satin doublet, would be permitted. The unbuttoned slit on Crofts" doublet was probably a matter of style: a French courtier in a 1635 fashion print by Bosse. who is gallivanting rather than grieving, wears a similarly undone doublet. Evidence suggests that by the late 1630s a certain calculated looseness was conventional in men's formal dress. Ribeiro. for example, cites the writings of moralists objecting to this style.
Killigrew's attire, though even looser than Crofts", should not necessarily be associated with grief. Other seventeenth-century subjects depicted in melancholic states do not dress this way. Although Killigrew's
"undress" lends this portrait a distinctive intimacy, it might also refer to Killigrew's literary career. Many of Van Dyck's other subjects who engaged in literary pursuits are depicted in loose clothing. The blank sheet held by Crofts may be a reminder not only of Killigrew's loss but also of his solace: he had but to express his grief in writing.
The passage suggests which of the following about Van Dyck's portraits of men?

A) They included fewer fashionable accessories than did his portraits of women.
B) They were less innovative than were his portraits of women.
C) They frequently depicted subjects in states of melancholy or mounting.
D) They gave less attention to men's clothing than did most paintings of the time.
E) They did not usually include loose or disheveled clothing

5. People who come to believe false rumors often do so quite (i)_________in the sense mat their new belief (ii)_________their existing knowledge. This problem is especially acute on the Internet. Rumors often arise and gain traction because they fit with, and support, the prior convictions of those who accept them.

A) tentatively
B) cynically
C) substitutes for
D) detracts from
E) rationally
F) coheres with

Solutions: